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For a simple social slight, Sam Wild murders two innocent people. He chances to meet Helen Trent and aggressively pursues her even as he marries her half-sister. The two disturbed characters parlay their dark secrets into a morass of trouble.

Created as the middle section of a three-part trilogy, ‘Malevolence’ is the tragic story of a group of bank robbers on the run from the law. They hide out in an abandoned house on the outskirts of town, unaware it is next door to the home of a family of serial killers. One of their hostages escapes and runs for help, but all hell breaks loose when she runs to the “wrong” house.

An arrested drug kingpin is transported by a Los Angeles Police Department SWAT team led by Jackson’s character out of the city and into federal custody. Plans go awry when the kingpin offers $100 million to anyone who can free him.

George “Ice Man” Chambers (Rhames) is a top ranked heavyweight boxer. However Chambers has his world turned upside down when he is accused of rape and sent to prison. Upon his arrival he hears talk about Monroe Hutchen (Snipes) who is the top ranked prison boxing champ 10 years running. Immediately there is bad blood with Chambers not wanting to be second to no one which leads to a lunch room fight between the men. Figuring it will be a good way to make money fellow convict Emmanuel ‘Mendy’ Ripstein (Peter Falk) sets up a prison boxing match between the two men to decide who is the real UNDISPUTED champ. Michael Rooker plays a guard, Fisher Stevens, John Seda, and Master P co star.

Dito, a writer in L.A., goes home to Astoria, Queens, after a 15-year absence when his mother calls to say his father’s ill. In a series of flashbacks we see the young Dito, his parents, his four closest friends, and his girl Laurie, as each tries to navigate family, race, loyalty, sex, coming of age, violence, and wanting out. A ball falls onto the subway tracks at a station, small things get out of hand. Can Dito go home again?

This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside cafe owner. This begins a chain of events that culminates in murder. Based on a novel by James M. Cain.

Wong Dai, the world’s most powerful Chinese drug kingpin, is sitting at a long table in an old building in Paris, France, going through the motions of a gigantic merger between himself and several other major Chinese drug dealers. Sai Lo controls shipments in the French heroin market in Paris, using laundromats all over Paris as a front. Tang “The Bird” Zhili controls the entire New York drug conglomerate from the Chinatown section of New York, and runs Mahjong gambling rackets. Yin Quinshi of Sofia, Bulgaria, controls an Eastern European drug cartel. Li Bo controls drug exports in Shang Hai, China, and has a penchant for French restaurants. Fang “The Barber” Lee controls a Paris drug cartel, and he is known to hire unique assassins. And Mr. Chang controls drug money in London, England. Yale University archeology professor Robert Burns, who has just recently won the prestigious and much-coveted Winthrop Award for excellence in archeology, stumbles onto the fact that his expedition to China, near the China/Kazakhstan border, is being used by Wong Dai as a cover for a drug smuggling operation. Realizing the danger of sticking around, Burns and his assistant, Luo Yi, make a run for it, but in the resulting gunfight and chase, Luo Yi is killed, and when Burns reaches the border, he finds that Wong’s smugglers have set him up for smuggling the drugs. Burns lands in a Chinese prison, framed for drug-running. Burns is questioned by beautiful Chinese narcotics cop Tommie Ling and surly DEA agent Ed Gray, who want to release him and use him as bait to nail the smugglers. Burns is quickly released and sent to the USA, where he promises Luo Yi’s father Luo Dazhong that he will get revenge for Luo Yi’s murder, but Wong Dai is not done with Burns yet. Wong Dai sends hit men to Burns’s house in New Haven, Connecticut to plant a bomb in Burns’s house, which explodes and kills Burns’s wife Maya. With the two people closest to him dead at the hands of Wong Dai and his minions, and with Tommie and Gray shadowing his every move, Burns is out for revenge. As it turns out, Burns was not always a Professor. He was once a master thief of Chinese artifacts, who served time in prison and earned his archeology degree while in prison, and he changed his name and married Maya after he was released. With his determination to exterminate those who killed Maya, Burns tells Tommie and Gray to stay out of his way, as he cuts a bloody path through Chinatown and across Europe on his way to a confrontation with Wong Dai.

Using the torture and death in 2002 of an innocent Afghan taxi driver as the touchstone, this film examines changes after 9/11 in U.S. policy toward suspects in the war on terror. Soldiers, their attorneys, one released detainee, U.S. Attorney John Yoo, news footage and photos tell a story of abuse at Bagram Air Base, Abu Ghraib, and Guantanamo Bay. From Bush, Cheney, Rumsfeld, and Gonzalez came unwritten orders to use any means necessary. The CIA and soldiers with little training used sleep deprivation, sexual assault, stress positions, waterboarding, dogs and other terror tactics to seek information from detainees. Many speakers lament the loss of American ideals in pursuit of security.

Colin is in agony, shattered by his wife’s infidelity. However, he has friends who do more than stand by — they kidnap the wife’s French lover and hold him prisoner so that Colin can restore his manhood with revenge. A kangaroo court takes place and as the situation escalates Loverboy’s life hangs in the balance as Colin wrestles with revenge, remorse, grief and self pity, all the while egged on by his motley crew of friends who just want him to get on with it so they can get down the pub.

The Dukes,(Chazz Palminteri and Robert Davi) a Doo Wop group, were on top of the world at 17, now are struggling for survival in 2008. Their manager (Peter Bogdanovich) is desperately trying to get them work but is met with failure at every turn. Finally pushed to the extreme , they pull a heist only a fool would attempt, which leaves them even more desperate. When all seems lost, they find themselves. Underneath the laughter, “The Dukes” is a film that explores the intricacies of re-defining yourself; not only dealing with lost fame but applies to anyone whoever found themselves at the bottom of the mountain looking up where they once were; and how ,in changing times, to hold onto your true self