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In the late ’60s, the notion that reggae would become more than just a novelty act would have been laughed at. To break into the mainstream, the movement needed a powerful voice of prophetic proportions. This voice emerged from the collective work of three pioneering friends from Jamaica, Peter Tosh, Bunny Wailer, and Robert Nesta Marley, who sought to bring about an ideological revolution through deeply meditative, hypnotic, and spiritual music. Catch a Fire was the Wailers’ and reggae’s introduction to the world and turned Bob Marley into a mega-icon of enormous proportions. It was the first album to remain true to the traditions of reggae music while having enough elements that were accessible to popular culture.

This documentary, Bob Marley and the Wailers: Catch a Fire, returns to Dynamic Studios in Kingston, Jamaica, shedding light on the development of the album, the thought process of Bob, Peter, and Bunny, and the importance of the music on a song-by-song basis. The story of Catch a Fire is presented through interviews with the band members, studio musicians, and former head of Island Records Chris Blackwell. Throughout are raw studio rehearsal footage, BBC TV footage, and home movies that include performances of “Concrete Jungle,” “Slave Driver,” “Stir It Up,” and “Stop That Train.” The documentary wraps up with rare black-and-white footage of the Wailers’ tour in Edmonton, London, in 1973 with an electrifying performance of the Burnin’ song “Get Up, Stand Up.”

Based on the popular books, the story tells of Tony who wants a friend to add some adventure to his life. What he gets is Rudolph, a vampire kid with a good appietite. The two end up inseperable, but their fun is cut short when all the hopes of the vampire race could be gone forever in single night. With Tony’s access to the daytime world, he helps them to find what they’ve always wanted.

After her family is murdered a young woman named Red Sonja becomes a master of the sword and seeks revenge on the evil queen responsible for the mayhem that has befallen her. Also, it seems the queen has stolen a powerful, carefully guarded, glowing orb right before it was meant to be destroyed, one that has powers of its’ own, allowing for the possessor to control elemental forces and call down storms and earthquakes, if they so wish. Kalidor, one of the individuals in place to oversee the destruction of the orb, joins forces with Red Sonja, as their paths may differ, but they ultimately lead to the same place. An impudent, young prince named Tarn and his guard/manservant Falkon, whose kingdom was unceremoniously wiped out by Gerden as a test for her newfound powers, soon joins them.

The lives of pleasure seekers and pleasure providers intertwine one night in Singapore’s red light district.

Selma is a Czechoslovakian immigrant, a single mother working in a factory in rural America. Her salvation is her passion for music, specifically, the all-singing, all-dancing numbers found in classic Hollywood musicals. Selma harbors a sad secret: she is losing her eyesight and her son Gene stands to suffer the same fate if she can’t put away enough money to secure him an operation. When a desperate neighbor falsely accuses Selma of stealing his savings, the drama of her life escalates to a tragic finale.

Orlando, a man of ideal nobility starts his search for love, poetry, a place in society and a meaning in life, in and around the court of historical England in the late 16th century. The blessing of eternal life from Queen Elizabeth I enables him a long and deep philosophical quest, accompanied by the features of “noble” English life with a good taste for irony. Both sides of the coin are shown when Orlando, partly fed up and disgusted with how men think and act, returns from his ambassadorship in the Far East as exactly the same person, let alone his sex. Orlando, a woman of ideal nobility continues her journey to realize the truth about life, love, and approaching one’s own sex in the late 18th century England. For one who lived four hundred years and haven’t aged a day, finding humanity’s forgotten need for androgynity as the key to the happiness of her own as well as her daughter’s. Sally Potter’s adaptation of Virginia Woolf’s Orlando not only tells the story on film with brilliant visual design, but also tries to extend the plot as Woolf would have, had she lived to the end of the twentieth century.

“The summer I was eight years old, five hours disappeared from my life. Five hours, lost, gone without a trace…” These are the words of Brian Lackey (’Brady Corbet’ (qv)), a troubled 18 year-old, growing up in the stiflingly small town of Hutchinson, Kansas. Plagued by nightmares, Brian believes that he may have been the victim of an alien abduction. Local Neil McCormick (’Joseph Gordon-Levitt’ (qv)) however, is the ultimate beautiful outsider. With a loving but promiscuous mother (’Elisabeth Shue’ (qv)), Neil is wise beyond his years and curious about his developing sexuality, having found what he perceived to be love from his Little League baseball coach (played by ‘Hal Hartley’ (qv) veteran ‘Bill Sage’ (qv)) at a very early age. Now, ten years later, Neil is a teenage hustler, nonchalant about the dangerous path his life is taking. Neil’s pursuit of love leads him to New York City, while Brian’s voyage of self discovery leads him to Neil - who helps him to unlock the dark secrets of their past. Based on the acclaimed novel by ‘Scott Heim (II)’ (qv), “Mysterious Skin” explores the hearts and minds of two very different boys who come to find the key to their future happiness lies in the exorcism of their collective demons.

“Chris Marshall met the girl he was going to kill on a warm night in early June, when of the colleges in Oxford was holding its summer ball.” A chance meeting with Jenny at an Oxford party leaves seventeen-year-old Chris with hope for a summer romance - and no premonition of trouble. Busy with his job and soon in love with Jenny, whose cheerful surface belies the dark uncertainty of her past, Chris misses all the signs of danger. Before he knows it, he’s caught in the sinister web of a criminal whose desire for revenge crushes those who stand in his way.

In 1944, in the occupied Holland, the Jewish Rachel Stein is hiding from the Nazis in a house of a Christian family. When her hiding place is bombed, Rachel escapes by chance, but she is found by a stranger called Van Gein that invites her to join a group of Jews in a boat to escape to Belgium on the next night. He advises her to bring money and jewels for her survival and very few luggage. Rachel visits lawyer and friend of her family Wim Small that gives her a large amount for her travel. When she meets the refugees, she finds that her family is in the group. While crossing the swamp, a Nazi patrol boat arrives and kills the fugitives, but Rachel is the only one to survive. Later she joins a cell of resistance leaded by the Dutch Gerben Kuipers under the identity of Ellis de Vries; after meeting the Nazi Officer Ludwig Müntze in a train, Kuipers proposes Ellis to work as a spy seducing Müntze. During her assignment, Rachel recognizes Günther Franken as the commander of the attack to the boat of refugees and later she discovers that the murders are part of a scheme with a traitor in the resistance team.